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New York City-based jazz musician Scott Feiner's fourth recording as a leader draws attention to his unique artistry as a pandeiro player, which is a hand drum he discovered during his first trip to Brazil in As an educator, he's spread the good word with presentations and workshops across the globe. Interestingly enough, Feiner's percussive Sponsored by Smoke Sessions Records. Our weekly newsletter highlights our top stories and includes your local jazz events calendar. Enter the Smoke Sessions Records album giveaway and win a chance at any one of their recent releases.
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Percussionist Scott Feiner fell so deeply in love with the pandeiro , a handheld, tambourine-like frame drum common to Brazilian music, that he moved to Rio de Janeiro from his native New York. Accents is his third album to feature the instrument-there is no other percussion-and for the occasion Feiner reconvened the musicians who accompanied him on the first, Pandeiro Jazz , in Joel Frahm on tenor and soprano saxophones, Freddie Bryant on acoustic and electric guitars and Joe Martin on acoustic bass. The pandeiro itself is a versatile instrument, tunable and capable of emitting such a wide range of percussive sound that a listener might, at times, be easily fooled into thinking Feiner is sitting at a kit working a snare, hi-hat and bass drum. If anyone owns the spotlight here, that would be Frahm, who proves quite adventurous within the framework of the Brazilian rhythms. Bryant, for his part, can peel out a tasty solo, but more often he prefers to provide supplementary rhythm, locking in with Feiner and Martin and giving Frahm as much room as he requires to discover. I sometimes keep listening to this record after it finishes. JazzTimes Newsletter.
With his "Pandeiro Jazz" project Scott Feiner has expanded the possibilities and perception of the Brazilian pandeiro worldwide - an instrument not normally spoken of in the same context with American music. Feiner has walked a fascinating road from the jazz world of Manhattan to the nightlife of Rio de Janeiro. During the early '90s he was a respected guitarist on the New York jazz scene, leading groups two nights a week at Augie's now Smoke , the world-renowned club in Manhattan known as a meeting place for New York City's best young jazz musicians. The long list of outstanding players who performed with Feiner during that time included the pianists Brad Mehldau and Larry Goldings.